南北之声 正反之腔

On the Singing Principles and Melodies of Pihuang Tune

文章运用音乐形态学的研究方法,通过谱例分析,论证了皮黄腔系的个体特征即南北一体唱腔的地方色彩影响和母体衍生正反腔的调性色彩影响;剖析了皮黄腔系的唱腔构成特征即不同声腔和不同板式的多向选择和复合形态,阐述了皮黄腔系音乐广泛的适应性和丰富的戏剧性表现力。

By using the research method of music morphology and analyzing score samples, this paper demonstrates that Pihuang tune has the individual characteristic of being influenced by the South and North combined singing principles and the tonality color of ＂the derivative melodies＂, reveals that the structural feature of the melody in Pihuang tune is a multi-direction choice and compound form of various singing principles and styles, arguing that Pihuang tune music has wide adaptability and strong dramatic expressive force.