摘要
以生态美学的视角审视《边城》,可以发现沈从文的创作与生态美学的诸多核心原则深相契合。他构筑的湘西世界,充满了原生态的自然环境与自然感性的生命力,展现了人与自然、人与人、人与自我和谐统一的生命景象,使"边城"超越了平常地域的概念,成为一种生命和精神存在的意义,是人与自然和谐统一的诗意生存家园。
When looking at Frontier Town attentively, we could understand that Shen Congwen' s creation corresponded to the many main principles of ecological aesthetics. The "world of west Hunan" created by him was a state of nature, full of natural vital power, opening a vision of harmony between people and nature, people and people, people and self-consciousness. Therefore, beyond the normal regional concept, the "frontier town" became a symbol of existence of the life and the spirit, and a poetic hometown of harmony between people and nature.
出处
《南京师范大学文学院学报》
2007年第3期99-104,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
《边城》生态美学
和谐
Frontier Town, ecological wisdom, harmony