中国现代短篇小说与历史文化典籍运用

The Relationship of Chinese Modern Short Stories and the Historical Classical Works

中国现代短篇小说经典文本中历史文化典籍的运用与现代小说艺术的形成之间有着极为密切的关系。思考短篇小说文本的存在样态,通变的问题及相关命题,和西方"互文性"理论与中国古代"通变"思想的关系,是探究二者间关系的理论基础。《大泽乡》通过叙述视角的变化让历史事件进入现代短篇小说;《石碣》利用《水浒传》中的文本空白点敷衍成文;《豹子头林冲》转换了叙述侧重点,使原有的叙事性故事进入现代短篇小说;《菜园》将诗词、文学典故和历史典故熔入文本叙述,使古典诗词和典故进入现代短篇小说;《游园惊梦》通过叙述层次的递进及隐喻手法的运用,形成现代小说中的"形而上质"层。基于以上分析得出一些具有理论价值的看法。

There is a very close relationship between the historical classical works and the Chinese modem short stories. It is the theoretical base for discussing their relation to study the Western works＇ complementary theory and ancient China ＂changing＂ thoughts. The historical events go into the modem short story through changing the narrative viewpoint in Daze Xiang and Baozitou Lin Chun. Shi Jie makes use of the places of indeterminacy from the All Men Are Brothers. Garden brings the classical poems and literary quotations into the narration of modem short story. Visiting Garden and Shocking Dream forms the metaphysic qualities by using the step - up of narrative level and metaphor.