双重身份创作下的自我迷失——重读草明《原动力》、《火车头》及《乘风破浪》

Ego Lost:in Dual Role Writing——Re-read Cao Ming's Power Engineering,Locomotive,and Brave winds and waves

党员与知识分子的双重身份,使建国初期以草明为代表的工业题材创作者,在处理党、工人阶级与知识分子的领导与被领导的关系时经常陷入困惑。政治化的文艺批判下,摈弃了创作者主体情感的作品反而解救了身份与创作的冲突,使党对工人阶级领导话语权的确立工作得以顺利完成。

The dual role of the commumist party member and the intellectuals, often perplexed the industry subject writers such as CaoMing at the beginning of the founding of the P. R. C, when they handled the leading and the led relations among the commumist party, the working class and the intellectuals. Under the politicized literature and art criticism,the writing, which discarded writer＇s own emotion, solved the conflict between role and writing. This leads to the commumist party＇s successful leading discourse power to the working class.