摘要
20世纪30~40年代女性诗歌在社会政治的渗透下,树立了女性自我意识的崭新内涵。在话语形态上,她们放弃了自恋自怜的忧愁与感伤,在变化了的时代环境展现了“小我”的超越与皈依,在诗歌艺术方面也呈现出新的特征。
Under the influence of the social politics, the female poet writing in 30's and 40's of 20th century set up new self-awareness. In their discourse, they gave up grief and sentiment of self-loving and self pity. In the new social surroundings, their poem writing appeared small sells surmounting and converting. Their poem art also present a new characteristic.
出处
《广东工业大学学报(社会科学版)》
2007年第3期48-50,共3页
Journal of Guangdong University of Technology(Social Sciences Edition)
关键词
中国
20世纪30-40年代女性革命诗歌
自我意识
超越
皈依
Female revolution poem writing in 30's and 40's of 20th century
self-awareness
surmounting
converting