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“小我”的超越与皈依——中国20世纪30~40年代女性革命诗歌话语形态分析

Small Self's Surmounting and Converting——Analysis on Revolution Poetry Discourse Form of Female Poets in 30's and 40's of the Twentieth Century
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摘要 20世纪30~40年代女性诗歌在社会政治的渗透下,树立了女性自我意识的崭新内涵。在话语形态上,她们放弃了自恋自怜的忧愁与感伤,在变化了的时代环境展现了“小我”的超越与皈依,在诗歌艺术方面也呈现出新的特征。 Under the influence of the social politics, the female poet writing in 30's and 40's of 20th century set up new self-awareness. In their discourse, they gave up grief and sentiment of self-loving and self pity. In the new social surroundings, their poem writing appeared small sells surmounting and converting. Their poem art also present a new characteristic.
作者 欧阳小昱
出处 《广东工业大学学报(社会科学版)》 2007年第3期48-50,共3页 Journal of Guangdong University of Technology(Social Sciences Edition)
关键词 中国 20世纪30-40年代女性革命诗歌 自我意识 超越 皈依 Female revolution poem writing in 30's and 40's of 20th century self-awareness surmounting converting
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参考文献1

  • 1季进编,李欧梵.中国现代文学与现代性十讲[M]复旦大学出版社,2002.

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