“比”“兴”与意象创造

"Bi" "Xing" and Creation of Imagery

"比"、"兴"与意象创造有着密不可分的关系。从作诗法的"比"到意象的诞生经历了从"以彼物比此物"到儒家的山水"比德"观,再到比物抒情、"意""象"合一的过程。从原始宗教中诞生的"兴"随着时代的发展逐渐过滤掉了原有的宗教意义,演变成一种"先言他物以引起所咏之辞"的作诗法,在歌咏"他物"中抒发主观情感,"他物"就变成主观情感客观化的载体,成为主客观融合的审美意象。"比""兴"的结合不仅促进了诗歌意象的创造,也推动了诗歌走向更高的艺术殿堂。

Bi and Xing is closely related with the creation of imago. The process from Bi of the poesy to the naissance of imago includes firstly the conception of comparing one thing to another, secondly the Confucian conception of comparing natural landscape to Confucian morality, and lastly the expression of one＇s emotion through the compared thing, thus achieving the effect of combining emotion and image. Xing, born in the primal religion, with the development of times, leaches its religious significance and turns into a poesy which firstly describes a certain other thing and then express the emotion. In describing this other thing to express the subjective emotion, the other thing turns into a carrier of impersonalizing subjective emotion and an aesthetic imago combining subjectivity and objectivity. The combination of Bi and Xing has not only accelerated the creation of imago in poetry, but also helped poetry walk up to higher art palace.