摘要
在台湾文学和马华文学史上都意义非同寻常的李永平,而作为离散文学的典型代表之一,他对本土的认知、开拓与身份认同无疑耐人寻味。通过以其《吉陵春秋》为中心,主要从三个方面展开:1.吉陵考古:四不像哲学;2.真的恶声:"恶托邦"本土;3.旅行的本土:离散与游移。力图勾勒出旅行本土的独特呈现和其中吉陵的"恶托邦"社会的复杂特质,着力探究在"恶托邦"与旅行本土之间存在着繁复的增减关系。
As a symbolic writer of Diaspora literature, Li Yongping plays an important role in both Taiwan literature history and Malaysia Chinese literature history. This article attempts to represent the special traveling nativeness and social charac-teristics of dystopia in Li＇s Jiling Chunqiu, from the following three aspects： 1. archaeology on JILING town： nondescript philosophy; 2. real evil sound： dystopia; 3. traveling nativeness： discrete and wavering, and wants to explore into the relations between dystopia and traveling nativeness.
出处
《华侨大学学报（哲学社会科学版）》
2007年第3期99-106,共8页
Journal of Huaqiao University(Philosophy & Social Sciences)
关键词
旅行本土
恶托邦
李永平
马华文学
traveling nativeness
Dystopia
Li Yongping
Diaspora
