摘要
以《了不起的盖茨比》和《白色噪音》为范本,通过精细解读,从都市文学语境的演变、话语的衍变、风格的改变等视角,探讨美国都市文学从现代主义到后现代主义的审美对抗格局和消长承转态势,探析个中的内在逻辑及其嬗变轨迹。
Based on a close reading of F. Scott. Fitzgerald' s The Great Gatsby and Don DeLillo' s White Noise, which are also representative works of high modernism and postmoclernism respectively, this paper makes a study on the evolution of the literary discourses, subjects, and styles of American urban literature by means of contrast and comparison.
出处
《华侨大学学报(哲学社会科学版)》
2007年第3期120-125,共6页
Journal of Huaqiao University(Philosophy & Social Sciences)
基金
华侨大学科研基金资助项目(06BS302)