我看20世纪中国美学及其发展趋势

On The Chinese Aesthetics in the 20th Century and Its Developing Tendency

20世纪中国美学学科的研究和建设,可以50年代为界,分为前后两个时期。50年代之前,研究者并非把美学当作一门纯粹的科学,其主张侧重于美学研究应在改造社会人生方面发挥它应有的作用。五六十年代之交的美学问题大讨论,使美学研究再度引起学界的关注,形成一股热潮,并逐渐走向学理上的探讨和理论上的建设。当时,实践美学解决了美的根本性质问题。反思20世纪中国美学学科建设的经验和教训,对美学与现实人生分离的"艺术哲学"的倾向,需要重新认识和评价。把审美、艺术、人生三者统一起来进行研究,这是中西美学思想史以及20世纪美学研究发展过程所昭示的真理,它也预示着中国美学今后的发展趋势。

The study of aesthetics in the 20th century in China can be divided into two stages. Before the fifties, scholam didn＇t consider aesthetics as a pure school of subject.Instead, they tried to use it as a way to reform social and life. In the fifties and the sixties aesthetics was concerned by scholars again because of a large debate about it. Hereafter aesthetics started to become a school of subject, and the question about the essence of Beauty was answered by scholars of practical aesthetics at that time. In examining the development of Chinese aesthetics in the 20th century, it is necessary to re-estimate the tendency of separating aesthetics and life by making aesthetics the philosophy of art. According to the aesthetic history in China and the West and result of the aesthetic study in the 20th century, artistic beauty, art and life should be integrated, and this should be the tendency of Chinese aesthetics in the future.