摘要
在20世纪文学批评领域内,小说社会学研究的理论模式与批评范式在历史与审美的交融中,逐步由"外在批评"转向与"内在研究"的结合。其中,戈德曼的"发生学结构主义"文学社会学理论、深入研究文本结构要素与特定社会精神结构三者间的复杂关系,生成了独特的批评视角。由此,运用"社会学的想像力",将"发生学结构主义"文学研究方法在中国小说文本研究中加以转换,便可探讨社会学方法与其他方法结合的可能性,拓展小说社会学领域广阔的再生空间。
In the 20th century literary criticism, the theoretical model and critical pattern in the study of the sociology of the novel has transformed from "the external criticism" to "the intrinsic studies" in the fusion of history and aesthetic judgment. In the process, Lucien Goldman opens for us a unique vista with his genetic structuralism that studies the complex relationship between textual structure and social spiritual structure. Now, by meaning of "sociological imagination", we can use the method of literary studies proposed by genetic structuralism in the textual study of Chinese novels, explore the possibility of integrating sociological methods with methods in other fields and broaden the space for the sociology of the novel.
出处
《江苏大学学报(社会科学版)》
2007年第5期76-79,共4页
Journal of Jiangsu University(Social Science Edition)
基金
江苏大学高级专业人才科研启动基金项目(06JDG059)
关键词
小说社会学
理论范式
社会学想像力
发生学结构主义
转换空间
the sociology of the novel
theoretical model
sociological imagination
genetic structuralism
transformation space