摘要
青花红绿彩作为加彩器的一种,比传统的观点早一个朝代,根据明中青花红绿彩盖罐结合最新的窑址考古成果,得出元代的窑炉设计和釉面配方的缺陷,使元代青花红绿彩的生产和存世极少,明官窑中由于斗彩的出现,青花红绿彩在民间一直沿烧。与元代风格相近,只是到了后期风格才大变。
Blue and white with red and green color , as a way of decoration, was a dynasty earlier than the traditional idea. According to the covered jar from Ming dynasty and the latest archaeology achievements from the unearthed kiln, it is proved that the design of kiln and the recipe of the glaze in Yuan dynasty have some shortcoming, which contributes to the fact that there are quite little production and few preserved products. Because Competing Color covered the official kilns in Ming dynasty, such blue and white with red and green color lasted in the folk kilns, which kept the style of Yuan dynasty, and not changed too much until the late period.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2007年第10期74-76,共3页
China Ceramics
关键词
青花红绿彩
中国彩
Blue and white with red and green color, Chinese color