论云南壮剧戏曲文学的审美取向

On the Aesthetic Orientation of Zhuang's Drama of Yunnan

云南壮剧植根于民间,审美取向上与普通民众的精神、理想、愿望紧密联系在一起,贯穿着平民百姓对历史、对历史人物、对历史事件的取舍,对是非、善恶、美丑、真假等的评价,并具有鲜明的包容、宽容意识,且都希望有一个光明、美好的结局。具体到各类型戏中又各有具体特色:在英雄戏中突出山窝里飞出金凤凰;在起义戏中突出民族平等,反对民族歧视与压迫;在清官戏中突出维护正义、惩治邪恶;在爱情戏中突出阿哥阿妹式的自由恋爱,突出有情人终成眷属;在神话戏中突出神仙与普通民众的联系;在伦理戏中突出好人有好报;在生活小戏中突出平民百姓的生活情趣。

Rooted in the folk, the aesthetic orientation of Zhuang＇s drama of Yunnan is closely connected with civilians＇ spirits, ideals and wishes, as it exhibits civilians＇ views of history, historical figures and events and presents their judgments of right and wrong, good and evil, beautiful and ugly, true and false. A sense of tolerance largely feature the dramas, most of which displayed a happy ending. However, diverse features are present in kinds of dramas, for example, more stress had been laid on heroes growing up from mountainous areas in sagas, on ethnic equality and ethnic dis- crimination and oppression opposing in revolt dramas, justice keeping and wickedness punishing in aulic dramas, on liberal love in love ones, a good relation between common people and fairies in fables, good-heartedness often meets with recompense in ethic ones, civilians＇ delight of life in life ones.