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中国古诗与意象主义的契合点

Correspondence between Ancient Chinese Poetry and Imagism
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摘要 从比较文学的角度探讨了以庞佳为代表的西方现代意象主义和中国古诗在诗学和创作手法上的契合点。受道家美学影响,中国古诗简洁蕴籍,以当下具体的画面突破时空限制追求言外之意和象外之象;在表现形式上,由于汉语意合和汉字象形的特点,中国古诗在意象的并置上具有很大的优势。西方现代意象主义也追求简洁和以具体鲜明的意象来表达诗人的顿悟,受中国古诗影响他们竭力使用意象并置的蒙太奇手法。 From the perspective of comparison literature, this paper discusses the similarities between ancinet Chinese poetry and modern imagism, of which Pound is a typical represntative. Influenced by Taoism aesthetics, Chisese poetry features brevity , implicity and vivid images, which aimes to break the limit of time and place. Chinese poems are also characterized by the iuxtaposition of images on account of Chinese character's two features, i. e. , parataxis and idograph. All these properties resemble imagists poetics, for they also pursue brevity and the vivid picture which is desinged to reveal poets' epiphany. Influenced by Chiese poetry, imagists adopt the juxtaposition of images.
作者 龙佳红
出处 《华中农业大学学报(社会科学版)》 2007年第4期140-142,147,共4页 Journal of Huazhong Agricultural University(Social Sciences Edition)
关键词 中国古诗 意象主义 道家美学 意象并置 ancient Chinese poetry imagism Pound Taoism aesthetcics Juxtaposition of images
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