东方素材 西方技法——分析陈怡混声三重奏作品《宁》的主题材料及技术处理手段

Eastern elements,western techniques——an analysis on the thematic materials and their technical treatments from Chen Yi's Ning,a work for mixed trio.

在中国当代作曲家陈怡的众多作品当中,对东西方文化素材的运用与融合始终是她追求的目标。其混声三重奏作品《宁》是一典型的例证。其创作的素材取自日本的五声音阶及中国的传统曲调茉莉花,分别代表入侵者及受害者的两个方面。而这两个素材又是以无调性的创作技法融合在一起。本文详细分析音乐素材的来源及在作品中运用的技术手段,从作曲技术的角度解释了不同文化背景的材料是如何被融为一体的。

Among the works composed by the contemporary Chinese composer Chen Yi, it is not difficult to realize that achieving a perfect blend between eastern and western cultural sources is always at the center of her artistic pursuit.Her chamber musical works Ning for mixed trio（violin,pipa,cello） is convincing evidence in this regard.The works portrays a scene of Nan Jing massacre which occurred during the Japan＇s invasion to China in the World War Ⅱ.The two source materials underlying in this works are the Japanese traditional pentatonic scale and Chinese traditional folk tune The Jasmine Flower representing the intruder and the intruded respectively.These two materials are put together with atonal technique.The author carefully analyzes the sources of the two materials and how they are used technique in the works,striving for giving a convincing explanation on how materials from different cultural backgrounds are blended into a musical works through proper technical merits.