巴赫d小调“恰空”的风格把握

A Study on the style of Bach's Chaconne in d Minor

巴赫《6首无伴奏的奏鸣曲和组曲》第二组曲第5首d小调"恰空"(Chaconne)是巴洛克时期小提琴文献中最光辉的曲目之一。这首乐曲所具有的独特魅力几乎使所有的小提琴演奏者为之倾倒,然而在演奏中如何正确地把握作品风格却并不容易。本文试图在多位前辈小提琴大师对该作品研究和诠释的基础上,从复调旋律、声部进行与和声等方面对作品的演奏风格进行简要的技术分析,以期为演奏者准确把握作品风格提供进一步的参考。

Chaconne in d minor by Bach（The six non-accompaniment sonatas and suites,second suite,No.5） is one of the most glorious works of violin in Baroque times.The special glamour of this work attracts almost all the violin performers.However,it＇s not easy to master the style of works in the performance.Based on many masters＇ researches and explanations on this work,this article tries to simply analyze polyphony melody、ministry of sound operation and harmony through certain technique and finally provide further references for performer＇s exactly grasping the style of works.