《文心雕龙》为当代文艺学提供了什么

What did Wen Xin Diao Long provide for the contemporary theory of literature and art?

作为中国古代最为引人注目的文论"元典",《文心雕龙》自然受到当代文艺学的广泛关注,但这种关注又主要限于观点的征引和阐发,而很少对《文心雕龙》作一种文艺学范式的完整把握,这也就不可能从根本上改变文艺学的现状。从总体上来说,《文心雕龙》至少形成独具特色的六大文艺观念:一是以心学和美学为基本内容的文学观念,二是以体裁分类和规范为基本内容的文体观念,三是从具体作品考察出发的作品观念,四是从创作实践出发的写作观念,五是着眼历史发展的文学史观念,六是着眼人文背景的文化观念。因此,《文心雕龙》不仅仅是为当代文艺学提供资料,而且还从文艺学的整体观念架构上,为我们提供了一个基于中国文学实践的文艺学范式,从而可为当代文艺学提供整体借鉴。

As the most noticeable ＂Chinese classics＂, Wen Xin Diao Long has drawn wide attention from contemporary students of the theory of literature and art. But little effort is made to study it as a whole set of literary paradigms, little more than citing and explaining individual opinions of it. In the author＇s opinion, generally speaking, Wen Xin Diao Long forms six main literary paradigms, first, a basic literature paradigm with metaphysics and esthetics as its basic content; second, a basic literary stylistics with the classification of literary styles and standards as its basic content; third, the idea of literary work which comes from reading; fourth, the idea of literary composition which comes from the writing practice; fifth, the idea of literature, focusing on the historical development of literature; sixth, the cultural idea, keeping in mind the background of humanities. Therefore, Wen Xin Diao Long not merely provides the material for the contemporary study of literature and art, but also supplies literary paradigms based on the Chinese literature practice as an entire construction. Thus Wen Xin Diao Long may provide the whole model for the contemporary study of literature and art, and which in turn could lead to a radical transformation of contemporary literary theory, finally forming ＂the Chinese literary theory. ＂