摘要
学术界对审美普遍性、审美偏好、审美标准、审美相对论、审美语境等审美原则,从不同侧面作了大量的尝试性的探究。审美心理的差异性和同一性之间存在对立统一的辩证关系。研究者要在文化背景中审视不同文化中的审美偏爱,不仅注重与形式主义相关联的联想意义,而且更应该把注意力放在一种文化成员相对广泛地共有的形式—意义的普遍联系之中,以此拓展审美人类学研究的学术视野。
Aesthetic principles such as aesthetic universality, aesthetic preference, aesthetic standard, aesthetic relativity and aesthetic context are explored by researchers from different perspectives. There exists a dialectical relationship between diversity and identity of aesthetic psychology. Researchers should examine the aesthetic preference of different cultures in the cultural context, not only attaching importance to associative significance related to formalism, but also paying attention to the universal connections between form and meaning collectively shared by the members of a culture, thereby extending the academic horizon of the aesthetic anthropology.
出处
《广西师范大学学报(哲学社会科学版)》
2007年第3期49-51,共3页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词
审美普遍性
审美相对论
文化语境
审美人类学
审美原则
aesthetic universality
aesthetic relativity
cultural context
aesthetic anthropology
aesthetic principle