摘要
在现代文学的长廊里,张爱玲的作品犹如一幅幅以变态人性、病态人格交织在一起构成的奇特的世俗人生的图画。在她那不同于当时主流话语圈的独特的创作意识里,实用主义的小市民哲学在很大程度上主导着她的观念,使她与那个时代的主流知识分子发生了巨大的分野。她以对社会人生的病态体验,用病态的怀疑目光,投射到世俗化、欲望化的"饮食男女"身上,在一定程度上迎合了小市民的心理,从而凸现了她创作中思想视域的局限。
In the gallery of modern literature, Zhang Ai-ling's works are just like a series of peculiar pictures of common life made up of abnormal humanity and morbid human nature. In her creative consciousness different from the mainstream discourse, the petty townsfolk's philosophy of pragmatism dominated her mind to a great extent, which draws a dividing line between the mainstream intellectuals and her. Her abnormal experience of social life and suspicious and morbid view are projected to the "common men and women" with their desires, which castes to the taste of the petty townsfolk and shows her thinking limitations in literary creation.
出处
《广西师范大学学报(哲学社会科学版)》
2007年第3期81-83,共3页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词
创作意识
张爱玲
病态心理
小市民心理
creative consciousness
Zbang Ai-ling
morbid psychology
petty townsfolk psychology