夏鲁寺部分壁画的汉地影响及其所在文化情境下的政治寓意

Chinese Influence in Some Wall Paintings at Zhwa lu and Their Political Meaning within Their Cultural Context

本文分析了藏区南部夏鲁寺集会殿门廊中,带有宋元时期舞台布景效果的龙凤戏珠纹图画,认为这是自13世纪以来,随着西藏贵族与元代朝廷政治关系的建立而来的汉地艺术影响的一个独特案例。作者将这种影响置于元朝政府与西藏的政治关系,以及尼泊尔纽瓦尔艺术风格的强大影响共同构成的特定的文化情境之下,且重点分析了绘于夏鲁寺早期整个门廊北壁带有汉地风格的壁画。

The author examines the motifs of the dragon and phoenix playing with a pearl from Song-Yuan dynastic stage design used in the corridors of the halls of the Zhva-lu-dgon-pa temple-monastery in southern Tibet.These are examples of the Sino-Tibetan artistic influences resulting from the close political relations between the Tibetan nobility and the Yuan Dynasty Mongol court from the 13th century onwards.In the light of these political relations and the strong artistic influences emanating from Nepal's Newar artistic style,the author examines the murals on the northern wall of the corridors of Zhva-lu-dgon-pa temple-monastery which were painted in its early period.