西方收藏明朝成化与正德时期汉藏风格的唐卡

Sino-Tibetan Tangkas of the Chenghua and Zhengde Periods in Western Collections

本文从西方学者们对收藏在各大博物馆和私人手里的成化和正德时期的数组风格相似、并有明确汉藏文题记的唐卡的研究成果入手,厘清了迄今为止各种学术观点的对与错,并在此基础上,综合性地提出了自己的观点,指出汉藏艺术风格(或藏汉艺术风格)从明初以来到明正德时期衰变的过程,不仅是此前相关研究的盘点和总结,而且推进了此研究向深度和广度的进一步发展。

The author evaluates the work of previous Western scholars in studying thangkas inscribed in Chinese and Tibetan of the Chenghua and Zhengde periods of the Ming Dynasty in private and public collections.On the basis of this survey,the author advances her own view that the Sino-Tibetan (or Tibetan-Chinese) artistic style declined from the beginning of the Ming Dynasty to the Zhengde period,thus contributing to our knowledge of this development process.