元明清山东曲论摭谈

Discussing the dramatic theory of Yuan,Ming and Qing Dynasties in Shandong

元明清三代,山东不仅是我国传统戏曲创作与演出的繁盛地区,而且在戏曲理论上也多有建树和影响。与钟嗣成比肩的贾仲明,不仅对《录鬼簿》进行了"拾其遗、补其缺"的增补工作,而且还对元末明初的戏曲作家进行了编续,对中原音韵和南方曲家也多有评述;李开先的《词谑》开戏曲创作与表演艺术理论的先河;丁耀亢在戏曲创作研究等方面也建树颇多。通过对不同历史时期代表作家的举隅,方见山东古代曲论发展兴盛的概况及对后世戏曲艺术所产生的影响。

During the three dynasties of Yuan, Ming and Qing, Shandong was not only a prosperous district of creation and performances of traditional opera, but had also obtained many achievements and exerted influences on classical theoties. With Zhongsicheng＇ s ＂side - by - side, Jiazhongming not only amended and increased the recorded book of Ghosts, edited the Chinese drama writers in the end of the Yuan Dynasty and the early Ming Dynasty, but also reviewed the pho- nology in the Central Plains of China and the drama writers in the south of china; The CIXUE written by Likaixian created the beginning of drama＇ s creation and the theory of the performing arts; the very important person in drama fields, Dingyaokang, had achieved accomphshments in many aspects such as the creation and research of dramas. Through the representative writer of different periods, the writer explained systematically the general situation of the development and prosperity of the classical dramatic theory as well as an overview of the impact on the historical development sequence.