期刊文献+

洙泗弦歌之风在唐诗中的变奏 被引量:1

The Variation of Singing and Reciting at Zhusi River in Tang Poetry
下载PDF
导出
摘要 弦歌诗颂是儒家礼乐文化的象征。儒风的兴衰崇黜与时推移。唐代儒学的命运大体经历了三个阶段,并在唐诗中留下了清晰的印记,即盛世的崇儒,转型时期的复古和衰世的追怀。 The singing and reciting of poems accompanied by stringed instruments is a symbol of Confucian culture of propriety and music. It rises and declines with the alternation of different times. Confucianism during the Tang Dynasty has undergone three stages and has left over obvious imprints in the Tang poetry, that is, the observation of Confucianism in prosperous ages, its revival in the transformation ages, and its recollection in times of disintegration .
作者 陈元锋
出处 《山东师范大学学报(人文社会科学版)》 北大核心 2007年第4期26-30,共5页 Journal of Shandong Normal University(Humanities and Social Sciences)
关键词 洙泗 唐诗 儒风 文化 Zhusi the Tang poetry Confucianism culture
  • 相关文献

参考文献7

  • 1[1]全唐诗[Z].北京:中华书局,1960.
  • 2刘昫.旧唐书[M].北京:中华书局,1975..
  • 3仇兆鳌.杜诗详注[M].北京:中华书局,1979.1515.
  • 4[8]瞿蜕园.刘禹锡集笺证[M].上海:上海古籍出版社,1989.
  • 5钱仲联.韩昌黎诗系年集释[M].上海:上海古籍出版社,1984..
  • 6朱金城.白居易集笺校[M].上海:上海古籍出版社,1988..
  • 7杜牧.樊川文集[M].上海:上海古籍出版社,1978.

共引文献269

同被引文献2

引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部