摘要
魏晋时期是中国艺术自觉的时期,也是书法艺术成熟的时期,而楷书也是在魏晋南北朝时期形成并走向成熟的。楷书的形成虽然是由文字发展过程中的简易律、区别律所决定的,但也与当时书法艺术的自觉有着极大的关系。楷书形体方正,笔画形态异常丰富,超越了之前的各种字体,书写方式比篆书、隶书多了许多连贯动作,这些方面正是书法艺术对楷书的形成所产生的影响。书法艺术的影响使楷书无论是在形体、笔画还是书写方式上都与之前的小篆、隶书等字体有很大的不同。
The P graphy, as well as eriod of Wei and Jin Dynasties saw the independence of Chinese arts and the mature of callithe emerging and booming of regular script. The formation of regular script had a close connection with the awaking of calligraphy at that time although it was decided by predigested and differentiated principles. It was the calligraphy that affected regular script featuring square structure, extremely rich strokes, more linking acts than seal character and official script. Therefore, arts of calligraphy had a great impact upon regular script and made it great differ from little seal character and official script.
出处
《学术交流》
北大核心
2007年第9期140-143,共4页
Academic Exchange
关键词
书法
楷书
魏晋南北朝
calligraphy
regular script
periods of Wei, Jin, South and North dynasties