摘要
艺术真理问题在当代西方艺术人类学史上长期缺席,本文通过对这一问题情境的梳理和评判,认为艺术人类学的根本性的学术追求不仅仅是艺术知识的淘洗和重构,也不满足于所谓的"部分真理",学科发展的核心理念在于寻求完全的艺术真理观,而研究范围上的全景性,艺术观念上的集群性,多维化、细密化的艺术"他者"之间的全景式平等互动机制,艺术研究格局上的完整性,以及学科本身完全而又彻底的实验性和反思性品质等基本理念诉求,都是最终达成这种核心理念的有力支撑。
The issue of artistic truth has long been absent from the history of western artistic history. This paper makes a historical survey and a comment of the situation. The author believes that the fundamental artistic pursuit of artistic anthropology is not only out of the need of refinement and reconstruction of artistic knowledge but also out of a dissatisfaction of the so-called 'part of the truth'. The kernel idea of disciplinary development is to seek the perfect view of artistic truth, and the strong support of this view includes the broad categories of studies, the concentration of artistic ideas, the equally active apparatus between the multiplicity and the intensity of the artistic 'Other', the completeness of the structure of artistic studies, and the experimental and reflexive qualities of the discipline itself.
出处
《文艺研究》
CSSCI
北大核心
2007年第10期23-28,共6页
Literature & Art Studies
基金
上海市教育委员会E-研究院建设计划项目(编号:e05011)成果。
