华夏戏曲中的男旦艺术之我见

Female Impersonator in Chinese Traditional Opera

舞台上的"男旦"艺术,是审美领域中让人感兴趣的对象,也是人们长期见仁见智、争议不休的话题。对此艺术现象,以辩证的态度从艺术学、性别学、社会学、人类学等多层面和多角度进行分析,有助于我们避免认识和评价上的偏差。

This paper offers a personal comment on the fascinating subject of Nandan （female impersonator） and urges theatre scholars to look at the phenomenon from such perspectives as aesthetics, gender studies, sociology, and anthropology.