论戏剧表演中对傀儡的模仿

Impersonating the Puppet

戏剧表演中对傀儡的模仿是一种非常有趣而独特的表演形态,不少戏曲剧种如高甲戏、梨园戏、莆仙戏、川剧、京剧等都有一些模仿傀儡的表演,有的还有规范的程式。不仅国内戏曲如此,国外的戏剧舞台如日本的歌舞伎等也存在类似的情形。本文从傀儡与戏剧的关系历史溯源,分析了戏剧中模仿傀儡表演的四个原因:1.人戏与偶戏渊源深厚,相互影响;2.傀儡的宗教色彩被附魅于模仿傀儡的表演当中;3.游戏与娱乐的需求;4.双重扮演对戏剧表演的深化与反思。

This paper proposes four reasons for the practice of actors imitating puppets on the stages of Gao Jia Opera, Li Yuan Opera, Pu Xian Opera, Sichuan Opera, and Beijing Opera besides Kabuki： mutual influence between puppetry and live performance in history, imparting of ceremonial elements from puppetry to acting, entertainment value, and reflection on nature of oerformance.