摘要
"抄儿类乐器"的提出,目的是厘清"类"与"形"的关系;不同的学理认识导致不同的主张。就抄儿和马头琴的发展方向问题,目前的主张:一种是"合二为一",另一种是尊重和保持各自原来的面貌。事实上,两种主张并不是平等平衡的。抄儿等传统音乐遗产的现代化境遇面临着"谁在保护?保护什么?为什么保护?怎样保护?"的问题。
The purpose to raise the issue of the musical instruments of the kind of Choir is to make clear the relation between "types" and "shape" ; different research theory lead to different affirmation. There are two kids of opinions : one is "two into one" , the other is the respct and maintaining of their original visages. In fact, the two are neither equal nor balanced. The traditional musical instruments are faced with the problems of "who to protect", "what to protect", "why to protect", "how to protect".
出处
《内蒙古大学艺术学院学报》
2007年第3期11-14,共4页
Journal of Art College of Inner Mongolia University
关键词
民族器乐
抄儿
马头琴
抄儿类乐器
遗产保护
national musical instrument
choir
horse- head musical instrument
musical instrument of the kind of Choir
heritage protection