摘要
"胸中之竹"与"胸无成竹"绘画理论,是"扬州八怪"的代表郑板桥对古代文艺理论的丰富和发展。诠释这一理论,发掘其内涵,于今仍有极大的实用价值。
The drawing theory of ＂having a well - thought - out stratagem and ＂having no image in mind＂ were the enrichment and development to ancient art thory which was posed by Zhen Banqiao, who was the representative of Yangzhou＇s Eight Eccentric Painters. Interpreting this theory and exploring its connotation are very valuable at present.
出处
《四川教育学院学报》
2007年第9期21-22,共2页
Journal of Sichuan College of Education
关键词
郑板桥
胸中之竹
胸无成竹
Zheng Banqiao
＂Having a well - thought - out＂ stratagem
＂Having no image in mind＂
