论中国话剧悲剧意识的时代语境

The Era Language Situation of Tragedy Consciousness in Chinese Modern Drama

中国话剧初期创作笼罩着一种浓厚的悲剧意识。从当时国内、国际的时代语境来说,中国大转型时期社会观念的颠覆与重建与西方悲剧意识的影响与渗透应是中国话剧悲剧意识的主要成因。悲剧意识的形成打破了中国传统戏剧的“大团圆”模式,成为中国话剧初创时期的主导艺术特色。

The creation of Chinese modern drama in the beginning period was shrouded in a strong tragedy consciousness. From the era domestic and international language situation in that time we can see, the mail cause was the subversion of societal concept in Chinese new period and the influence, infiltration of western tragedies. Tragedy consciousness breaks the happy ending mode in Chi nese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modem drama.