摘要
同声相应、同气相求是中国古代重要的理念,指的是生命之间的感应。先秦两汉散文在对这种生命理念进行艺术显现时,形成比较稳定的表现手法和叙事模式。通常兼顾生命感应过程中的声气相通。道家作品则比较特殊,或只写同声相应,或取消对同声相应的描写。在展现通过音乐同声相应、同气相求的生命感应时,突出交流双方的互动。
The idea of same voice inducting each other is important in ancient China, which refers to the induction between lives. When they artistically express the life idea, the prose of Pre-Qin and Han dynasties formed relatively stable performance methods and narrative modes, which usually interlink the voice and qi in the induction process. Taoist works are special, either only write the content of same voice inducting each other, or cancel that description. When they show this life induction through music, they highlight the interaction of the two sides.
出处
《齐鲁学刊》
CSSCI
北大核心
2007年第4期65-69,共5页
Qilu Journal
关键词
先秦两汉散文
同声相应
同气相求
生命感应
prose of Pre-qin and Han dynasties
voice and qi
literature performance