和谐西藏建构中西藏电影的文化境遇

The Cultural Circumstance of Tibetan Films in Harmonious Tibet Construction

西藏电影以其独特的民族性特征引人注目,但在后现代文化语境里,西藏电影却因为边缘化和他者文化身份、民族化的定势显现和后殖民主义的"妖魔化"而陷入困境。本文认为,只有推进产业化和市场意识,强化民族性的深入挖掘,扩展与其他民族和西方电影文化的交流,才会产生真正意义上的西藏电影。

Tibetan films impress people with their unique national features,but in the post-modern cultural environment,they fall into a dilemma because of its cultural identity of edging and foreigness,the national prototype and post-colonialist fraudulence. This essay holds that only through promoting the industrialization and market awareness,emphasizing national feature,and extending exchanges with other people and west films can Tibetan films with real significance be created.