裂隙与症候——论四十年代“不合时宜”的孙犁

Gap and Syndrome──Treatise on Untimely SunLi in 1940s

孙犁在20世纪40年代解放区的文学创作总体上呈现出一种明丽、向上的诗意风貌,表达了他对一个大时代的激情参与和诗意传达,凸显一个应和时代脉动的战士作家形象。但是在其40年代的一些抗战叙事中,也可以让人感受到蕴含其中的个人性感受。《琴和箫》和《钟》是孙犁在不同时期遭到非议甚至批判的两部"不合时宜"的作品,从对文本本身及其本事的解读,可以在诸多症候中触摸到创作主体与其激情参与的时代之间所存有的裂隙。

SuLi＇s literary works in liberated areas in 1940s generally presented a bright, positive and poetic picture, which expressed his enthusiastic participation and poetic convey in that great period. It emphasized his image as a combatant writer who kept pace with the time. But we can feel personal feelings in his Anti-Japanese War narratives in 1940s. Qin and Xiao and the Clock are tow untimely works which suffered objection or even criticism in different periods. According to the interpretation of the texts and the narrative, we can see the gap between the author and the age he participated enthusiastically in many syndromes.