摘要
"神思"是中国美学理论的重要概念和重要范畴,它有着极其丰富的内涵。这一概念的提出有其长期的历史积淀。对《文心雕龙》"神思"的认识,学术界历来存在分歧。文章从比较美学的视角切入,从"神思"、"灵感"概念及其异同方面,探讨两者内在关系。
"Spirit thought" is one of the most important concepts in Chinese aesthetics. It has abundant meanings. It has been a long time for history sedimentation before putting forward this concept. Scholars in this field have been having disagreement over the true implication of "spirit thought" in Wen - Hsin Tiao- Lung. This paper cutting from the single of Comparative aesthetics, analyze the concept of "spirit thought" and "inspiration", and discuss their relations from their sameness and difference.
出处
《成都大学学报(教育科学版)》
2007年第10期114-116,共3页
Journal of Chendu University:Educational Sciences Edition
关键词
神思
神
思
灵感
Spiritual thought
spirit
thought
inspiration