论吴昌硕“画气不画形”的绘画美学思想

On Wu Changshuo's Aesthetic Thought of "Drawing Temperament Instead of Shape"

吴昌硕"画气不画形"的绘画美学思想虽然突破了明清复古派文人画柔媚的审美趣味,但同时也剥落和舍弃了文人画"韵"、"逸"等审美品格,这样易将文人画的审美取向导向显露和霸悍。

Wu Changshuo＇s aesthetic thought of ＂drawing temperament instead of shape＂ not only breaks through the gentle and lovely aesthetic interest of the ancient - restoring scholar paintings of the Ming and Qing Dynasties, but also casts away the aesthetic qualities of ＂Yun＂ and ＂Yi＂ etc. of the scholar paintings, thus easily disclosing scholar paintings＂ aesthetic tendency of being evident and aggressive.