摘要
金圣叹用"画"来评点《水浒》,既与中国文论与画论相融合的文学批评史有关,又与明中后期时代氛围有关。从金圣叹现实与理想的关系以及"水浒"意与象的关系中,可以看出金圣叹将"画"、"水浒"、"自身"三者同构在一起,这也是其用"画"评点《水浒》的最根本原因。
Jin Shengtan used "drawings" to review The Heroes of the Marshes, which was related to not only the history of literary criticism combined with the Chinese literary and drawing comments but the age atmosphere in the middle and late Ming Dynasty. From Jin Shengtan relationship between reality and dream and that between artistic conception and phenomenon of "the heroes of the marshes", we can see that Jin Shengtan combined "drawings", "the heroes of the marshes" and himself into one identity, which is also the most fundamental cause for his using "drawings" to review The Heroes of the Marshes .
出处
《湖州师范学院学报》
2007年第5期70-73,共4页
Journal of Huzhou University
关键词
画
《水浒》
金圣叹
paint
The Water Margin
Jin Shengtan