摘要
司马相如提出的"得之于内"说,既表述了辞赋的审美创作构思"得之于内,不可得而传"的"自得"性,极言创作构思中艺术想象的包容性和时空的无限性,同时也适用于所有的文艺审美创作,它揭示了中国美学所崇尚的文艺审美创作自由创新的美学精神。而其中所体现出的自由恢弘的气概和创新的美学精神又同巴蜀地域文化的影响不可分割。
Shima Xiangru's aesthetical theory tells about the compatibility of imagination and the infinity of space,and it is applied to all the art aesthetical creation.The theory reveals the aesthetical spirit of free creation,after which the Chinese aesthetics goes.The grandeur of freedom and the aesthetical spirit of creation cannot be separated from the influence of the Bashu regional culture.
出处
《绵阳师范学院学报》
2007年第7期1-5,10,共6页
Journal of Mianyang Teachers' College
关键词
得之于心
想出天外
独创性
创新品格
getting it from the mind
thinking beyond oneself
originality
creative character