摘要
本文从"逸"字的词源考释入手,认为对中国古典美学中"逸"之审美范畴的研究应该从超脱的涵义开始,而不必溯源于隐逸之"逸"。进而以"逸气"一词为线索,探讨古代书画品第中"逸品"的思想渊源和内涵演变。最后将"逸"的美学特征归纳为超脱、自然、不拘三个方面,由浅入深阐发其美学意蕴和内在联系,试图对中国古典美学史上的"逸品"作出新的总结和评价。
From the etymological perspective,this paper discusses the rich implications of '逸' in Chinese classic aesthetics and its aesthetic traits and connections.The paper also discusses its origin and development in the traditional calligraphy and paintings in ancient China and concludes that the aesthetic traits of '逸' find expression mainly in transcendence,unaffectedness and freedom,which may shed some light on our understanding of '逸'.
出处
《云南大学学报（社会科学版）》
2007年第5期66-72,78,共8页
The Journal of Yunnan University:Social Sciences Edition
