现代性困惑中的审美反思与自我对话——对《废都》和《秦腔》审美意识同构性的理解

Esthetic Reconsideration and Self-dialogue about Modernization Puzzlement——Understanding of Similar Composition of Feidu and Qinqiang

贾平凹《废都》和《秦腔》不是两个彼此孤立的文本,而是沿着同一条创作线索所进行的一次精神对话。尽管创作时间相隔十余年,题材有都市与农村之异,但二者具有对中国现代性审美反思的同构意识,都倾注着贾平凹对当下中国社会生活的美学关怀。

The Feidu and Oinqiang of Jia Pingwa are not two isolated versions, but a spiritual conversation along the same clue of creative writing. Although written at an interval of ten years, with different themes on city and countryside separately, the two both have the same introspection on Chinese modernization, and they both signify Jia Pingwa＇s aesthetical concern about the current social life in China.