《铸剑》与《奔月》:灵魂的自我审视

Sword Casting and Assend to Heaven:Self-critic Awareness of Soul

《铸剑》和《奔月》从其产生的过程来看,都是作家生命意识的一种外化,是鲁迅对自我灵魂进行的无情的解剖和展示,是他信念迷失和精神痛苦、矛盾、彷徨所产生的灵魂深处的独特的情感体验。"后羿"和"黑衣人"正是鲁迅内心世界分裂的人格矛盾的体现,二者分别象征着鲁迅思想对立的两极。"后羿"的形象中蕴涵着鲁迅灵魂深处的一种浓厚的虚无感和自卑感,而"黑衣人"则代表着他决绝地向黑暗势力复仇的坚强意志。

Sword Casting and Assend to Heaven are an extension of the writer＇s life awareness from the angle of their production process. Through them, Lu Xun showed some kind of self-examination and self-critic awareness and presented his distinctive emotion. He exposed his soul, despair and struggle. ＂Houyi＂and ＂Shadow Man＂ represented his contradiction extreme, with one of them nihility and inferiority and the other vindictiveness.