康德论鉴赏与天才

Kant's Theory of Taste and Talent

康德哲学所开示的"经验"与"超验"的"二向度思维",是《判断力批判》所提"天才对鉴赏的关系"这一重要命题的致思根源。"鉴赏"与"天才"由此分为两橛,归之于艺术家的"鉴赏力"就是"赋予对象以美的形式的能力"。"天才"的真正要义在于它为艺术提供"精神"或"理想","鉴赏"与"天才"也因此共同祈向于"审美意象"一极,从这里就衍生出黑格尔的"内蕴说"和克罗齐的"直觉说"。

＂The bi-directional thinking＂ of the ＂experience＂ and the ＂transcendence＂ that Kant＇s philosophy revealed are the thinking causes of ＂the relations of Talent to Taste＂ as a important proposition from Critique of Judgment. In view of this, talent and taste are divided into two poles, the artist＇s ＂taste＂ is only the ability to give the beautiful form to the object. The essential meaning of ＂Talent＂ lies in providing ＂spirit＂ or ＂ideal＂ for art. Therefore ＂taste＂ and ＂talent＂ also tends to ＂Aesthetic Idea＂, from which Hegel＇s ＂implication＂ and Croce＇s ＂intuition＂derived.