摘要
《金瓶梅》作为一部反映晚明时期人生世相的世情小说,武大郎一家与韩道国一家互为镜像的设置,旨在传达出全书的主旨绝非简单的因果报应,传达出传统道德文化的虚伪性和在社会现实中的尴尬处境。
The design of Wu Da' s family and Han Daoguo' s family as mirror images in the JinPingMei, a fiction representing the panorama of the later Ming Dynasty, aims at delivering that the gist of the fiction is not only the simple duepulishment, butalso the awkward dilemma between the hypocrisy of traditional morality and the social reality.
出处
《湖北教育学院学报》
2007年第9期9-11,共3页
Journal of Hubei Institute of Education
关键词
《金瓶梅》
武大郎一家
韩道国一家
互为镜像
文化阐释
JinPingMei
Wu Da' s family
Han Daoguo' s family
mirror images
cultural interpretion