摘要
摄影艺术彰显了旅游中的文化基质,其技术的进步逐渐改变了人类的观看方式,而影像内容则在一定程度上透视出游客旅游动机的变迁。用新迪尔凯姆主义分析了旅游动机的理论依据,从影像表现的角度对旅游动机变迁作一探讨,指出二者之间的关系:影像是旅游动机的表征,旅游动机又引导着影像主题的变迁,使游客达到"自我认同"与"自我叙述"。
The art of photography represents the tourism culture, its advancement in technology change ways of sightseeing, and its content perspective change of tourism motivation. By analyzing the source of tourism motivation using Neo-Durkheimian, discussing tourism motivation from the point of view of imaging answer, the paper points out the relationship between them: imaging is the representation of change of tourism motivation while it is guided by the tourism motivation, making tourists selfidentified and self-narrative.
出处
《桂林旅游高等专科学校学报》
2007年第5期638-640,共3页
Journal of Guilin Institute of Tourism