摘要
从语言与生命的内在同一性的隐喻性特征的角度,可以重新阐释"立象尽意"中"象"的内涵。文学言语活动中语言创作并不是语言自觉地向内在情感聚拢、迎合的单向活动,相反,文学语言是内在情感在语言形态上的自我赋形,自我言说,并以"象"的形态显现出来。
The paper tries to interpret the connotation of “image” from a new perspective: the identity of language and life, and further argues that the proper way of representing inner life is not the language finding way towards inner feelings but inner feelings self- expressing through “image”, a poetic formation of language.
出处
《中国文学研究》
CSSCI
北大核心
2007年第4期25-28,共4页
Research of Chinese Literature