贾生意象论析

Discuss and Analysis on the Imagery of Jia Sheng

作为耸立在大一统中国源头的文化巨子,贾谊的文化品格历来得到了诗人的接受和认同,历代诗人在诗歌创作中,经常以贾谊(或贾生、贾子、贾傅)作为歌咏对象,长期以来,贾谊的形象逐步沉淀并固定,成为诗人笔下的一种创作追求意象,本文称之为"贾生意象"。贾生意象反映出诗人以下群体心态:一是对贾谊的认知情怀,二是求索愿望,三是感伤情结,这些心态往往交织在一起。贾生意象的形成与儒道两种文化传统的深远影响不无关系。

As a cultural giant standing at the sources of the great unified China, the cultural quality and style of Jia Yi have been accepted and recognized by poets all through the ages. In the poetry creation by poets of all ages, Jia Yi（or Jia Sheng, Jia Zi and Jia Fu） has been often used as the eulogistic objects. The image of Jia Yi has been gradually accumulated and fixed for a long time and become a kind of imagery of creation and pursuit under the diction of and purport of the poet ＇ s writings, which is called by the article as “the imagery of Jia Sheng”. The imagery of Jia Sheng mirrored the following group psychology of the poet： firstly, the cognitive thoughts and feelings to Jia Yi, secondly, the wish to pursue, thirdly, the sentimental complex, and these psychologies usually mingle with each other. The formation of the imagery of Jia Sheng is certainly connected with the profound in- fluences of two cultural traditions of Confucianism and Taoism.