摘要
马克思艺术生产理论的对象本体,主要是工业社会资本主义生产体系中的商品化艺术生产,概言之,是一种现代性艺术生产。其间既包含着对艺术生产的一般性揭示,又有其特定的历史内涵。忽略其特定的历史内涵或者是将特定的历史内涵视为一般性揭示,都会有碍对艺术生产理论的理解和构建过程中的科学严谨性,而不注意其现代性特征更可能会遮蔽研究的理论视野。从马克思的思想出发,就会看到资本主义艺术生产的三大现代性特征,即服膺于资本的生产与增殖,以财富和财富的生产为目的的资本性;伴随资本世界化及其支撑下的世界贸易和世界交往,走向超越地方的和民族的艺术生产的世界性;随着世界历史的变动而不断地改变着它的历史内容和表现形态的意识形态性。
The object of Marx's Art Production theory is mainly commercial art proaucnon in the capitalist production system of industrial society. In a word, it is a kind of art production of modernity. It contains both the general revelation to artistic production and its specific historical content. If ignoring its specific historical content, or regarding its specific historical content as general revelation, it will impede the understanding of the Art Production theory and the scientific rigor in the process of constructing, and it will be shielded the theoretical vision without paying a attention to its modernity features. The article analyses the three modernity features of capitalist art production, namely the capital, the worldwide and the ideology.
出处
《学术月刊》
CSSCI
北大核心
2007年第10期104-113,共10页
Academic Monthly