摘要
陀思妥耶夫斯基小说体裁的文化基础,是欧洲古老的狂欢节及其所代表的民间文化传统,而狂欢的基本精神是双重性。这种双重性表现在陀氏创作中的人物形象上,便是鲜明的双重人格,此类人物内在的深刻对话性造就了双声语。狂欢与对话,这对巴赫金诗学与哲学话语的核心范畴于此得以贯通。
The cultural foundation of Dostoevsky's novel form is European ancient carnival and the civil cultural tradition that it represents, and the basic spirit of carnival is dualism. The clear performance of this kind of ambivalence is dual characters in the person image of Dostoevsky' s works, and the dialogue between these images constitute a double - discourse, so carnival dialogue - the key Category in the discourse of Bakhtin' s poetics and philosophy theory could be permeated finally.
出处
《广东技术师范学院学报》
2007年第2期45-51,共7页
Journal of Guangdong Polytechnic Normal University
关键词
双重性
双重人格
狂欢
对话
ambivalence
the dual characters
carnival
dialogue