从音色合成的方式看电子音乐与中国音乐传统的联系

Review on the Relationship between Electronic Music and Chinese Traditional Music from the Method of Timbres synthesized

从电子音乐诞生的那天起,它所特有的发声媒体及声音合成方式,就决定了它必然要走一条与传统"声学音乐"不同的发展道路。相对于重视音高关系的传统声学音乐,以声音合成为其主要生命力的电子音乐,必然选择以音色关系作为音乐表现的主要手段。而这种对音色的重视,却是东方音乐观念的自然流露。看起来相距甚远电子音乐与东方古老文化,但是,在其音乐里,它也有着许多东方音乐的特点。文章试图以电子音乐为研究对象,从音色的角度,观察电子音乐与中国音乐传统的某些联系。

From the very beginning of electronic music, that its individual vocalization medium as well as the sound synthesizes method made its development totally different from the traditional acoustics music. Compared with the traditional acoustics music that regarded the pitches relationship, the electronic music, which sound from synthesizes, have to choose the timbres relationship as its main means of music representation. That to give priority to the timbre is the orient music conception revealed. Taken the electronic music as the research object, the papers try to observe the relationship link the electronic music to the Chinese traditional music from the viewpoint of timbres