摘要
20世纪音乐美学研究中,最重要的理论发展是出现了音乐与社会和历史相结合的复杂理论。音乐学家T.W.阿多诺(Theodor W.Adorno)就是代表人物之一。阿多诺的文化工业批评理论与其音乐美学思想相契合的一点,就在于音乐创作中出现的象征与个体自由和需要创作新社会评判,在整合过程中间要有一种和解的意味。
That appearing complex theory of combined music with society and history is the most significance development in the music aesthetics research in 20th century. Musicolagist Theodor W. Adorno was one of well-known exponents. Adorno corresponded the theory of cultural industry criticized to the conception of the music aesthetics, and means that the symbol from the music creation and freedom composed the new works, it should be a kind of reconciliatory implied the whole progress
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2007年第4期55-57,共3页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
音乐-社会结构
音乐学研究
阿多诺
music-society structure, musicological research, Theodor W. Adorno (1903.09.11--1969. 08.06)