摘要
文章论述了轮指这一琵琶重要指法的教学程序与教学中的难重点,同时强调在轮指教学中将琵琶演奏技巧与音乐审美能力的培养训练合二为一的重要性,通过双管齐下的教学与要求以取得琵琶演奏技巧与音乐表现能力、审美能力的全面提高。
The article discussed the teaching points of fingers in turn playing, an important fingering of pipa. The writer stressed the point that we should combine the playing technique of pipa with the cultivating music aesthetic in the teaching program of fingers in turn playing, which would completely improved the play- er^s performance technique, ability of representing music and the aesthetic faculties.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2007年第4期96-99,118,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
琵琶
轮指
三指轮、四指轮
长轮
技术训练
音乐审美能力
pipa, fingers in turn playing, three fingers in turn playing, four fingers in turn playing, long in turn, technique training, music aesthetic