摘要
把马克思经济学中的生产方式的概念引入艺术领域,从而跳出了传统内容与形式的对立,创立了技术决定的艺术生产理论,并运用这种理论分析艺术生产的变革,提出了诸如"机械复制时代的艺术""韵味的消失"等极具影响的美学概念与命题,这可以说是本雅明在美学上的重要贡献。
Benjamin imported the concept of the production pattern in Marx＇s economics into the domain of art thus avoided the antithesis between traditional content and form, founded the theory of the art production decided by technique, and used it to analyze the change of art production and gave the aesthetic concepts with great influence such as ＂the art in the time of mechanical copying＂. All above are Benjamin＂ s importment contributions in the domain of aesthetics.
出处
《西北师大学报（社会科学版）》
CSSCI
北大核心
2007年第6期18-22,共5页
Journal of Northwest Normal University(Social Sciences)
基金
江苏省高校哲学社会科学研究项目"20世纪西方美学史"(06SJD720008)阶段性成果
关键词
技术
韵味
机械复制
惊颤
technique
aura
mechanical copying
